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The new face of Jewish life in Berlin. Pears Jewish Campus for Chabad Lubavitch

18 of July '24
Technical data
Name:

Pears Jüdischer Campus

Location: Germany, Berlin
Project: Sergei Tchoban
Project management: Frederik-Sebastian Scholz, Nancy Wendland
Project team: Lev Chestakov, Eimear O'Gorman, Valeria Kashirina, Birgit Koeder, Anja Koch, Charlotte Lennertz, Ingo Schwarzweller, Ramona Schwarzweller, Waldemar Strese, Niina Ballheimer, Fabiana Pedretti
Engineering: Ingenieurbuero Bendel Bradke Lang Bauwesen GmbH.
Construction Equipment: Ingenieurbüro für Haustechnik KEM GmbH
Landscaping: Nolte/Gehrke Partnerschaft von Landschaftsarchitekten mbB
Contracting entity: Chabad Lubavitch Berlin e.V., Berlin
Acoustics: ABH Akustikbuero Hoffmeier
Structure construction: Koegel Bau GmbH & Co. KG, Bad Oeyenhausen, Bauunternehmen Mueller GmbH
Fire protection: Roessel Brandschutz
Lighting design: LichtVision Design GmbH
Design of school and kindergarten equipment: Architekturbuero Heidrun Klein (phase 2), Design Alchemists (phase 3-8), Kreische Boehme Beyer GbR (phase 5)
Clinker facade: Keramik für Bau und Denkmalspflege GmbH, Jahnsen Bau GmbH.
Windows and doors: Sommer Fassadensysteme-Stahlbau-Sicherheitstechnik GmbH & Co. KG
Carpentry: Weisse GmbH & Co. KG
Gymnasium parquet: Vereinigte Holzbaubetriebe Wilhelm Pfalzer & Hans Vogt GmbH & Co. KG
Cafeteria/library design: KA+ GmbH, studio kejo GbR
Art installation of trees of life: Anna Nezhnaya
Mural: TOBO aka Tobias Friesike
Year of completion: 2023
Usable area: 8 000m2

designed by Tchoban Voss Architekten

Before World War II, Berlin was an important center of the Jewish diaspora in Europe. Today, the number of adherents of Judaism in the German capital is estimated at several thousand. To enable growth and meet the needs of the growing community, the {tag:pracownie} office undertook the development of a new educational campus - Pears Jüdischer Campus.

obła, nieregularna bryła budynku

The building's oval, irregular shape

Photo: Klemens Renner | © Tchoban Voss Architekten

The multifunctionality of Tchoban Voss Architekten's realization

Thenew campus was built right next to the Chabad Lubavitch Cultural and Family Center in Berlin's Charlottenburg-Wilmersdorf district. The new structure will serve as an educational complex consisting of a school, kindergarten and nursery, as well as sports fields and playgrounds wrapped in greenery. The free-standing building with a rounded shape blends in with the heterogeneous architecture of its surroundings. The two-story high hall on the third floor of the building is conceived as a venue for sports, cultural events, religious ceremonies and seminars or conferences. Located on the fifth floor, the auditorium is equipped with tiered rows of seating suitable for lectures or film screenings. There is also a dining room and kosher kitchen. The basement rooms on the concave side of the building can be accessed by stairs directly outside.

W projekcie kampusu uwzględniono place zabaw

The campus design includes playgrounds

Photo: Klemens Renner | © Tchoban Voss Architekten

Pears Judischer Campus inscribed in an existing shtetl

The rounded shapes of the structure are a formal reference to the interior of the Chabad Lubavitch Center. The rhythmic horizontal stripes, appearing both in the structure and on the facade of the new campus, were deliberately made in the same organic style as the contemporary architectural additions to the center's neoclassical building. The rays of light passing through gaps in the facade's stripes is also a motif found on the paneling inside the neighboring synagogue.

Nieregularne, organiczne kształty zastosowano również wewnątrz kompleksu edukacyjnego

Irregular, organic shapes were also used inside the educational complex

Photo: Roland Halbe | © Tchoban Voss Architekten

The brick and concrete building immediately catches the eye with its color scheme, which was also used to formally connect with the neighboring center. Theiridescent purple and blue ventilated clinker brickfacade uses a similar shade of blue to the glazed entrance of the existing Chabad Lubavitch Jewish cultural center. Blue has a special significance in the history and symbolism of Judaism: it is the color of divine revelation.

Poziome pasy cegieł klinkierowych przypominają mieniące się wstęgi

Horizontal strips of clinker bricks resemble shimmering ribbons

Photo: Roland Halbe | © Tchoban Voss Architekten

Symbolism hidden in the finishes of the Berlin campus

A two-layer waterproofing system complying with building directives has been installed on the structure's flat roof. In the future, the entire roof area will be filled with vegetation. The school's main entrance can be reached from street level, without climbing stairs. The walls of the entrance are decorated with two light installations by Berlin-based artist Anna Nezhnayi, depicting Kabbalistic trees of life. The works are filled with poetic symbolism. An oak tree and an olive tree symbolize two countries - Germany and Israel. The two-story lobby is also distinguished by a mirrored ceiling.

Berlińska artystka Anna Nezhnaya jest autorką instalacji artystycznych wewnątrz budynku

Berlin-based artist Anna Nezhnaya is the author of the art installations inside the building

Photo: Roland Halbe | © Tchoban Voss Architekten

There are elevators in the stairwell adjacent to the entrance, making all floors wheelchair accessible. The facility will be able to accommodate 450 children, ranging from crawling infants in the nursery to full-grown teenagers in grade 12. The design distinguishes between spaces used exclusively by the school (classrooms, auditoriums, studios for individual subjects) and spaces exclusively for use by the nursery and kindergarten.

The concrete wall on the street side depicts graffiti by Berlin-based street artist TOBO, also known as Tobias Friesike.

Dziura w murze z graffiti, przez którą można zajrzeć do Pears Judischer Campus

A hole in the wall with graffiti, through which one can look into the Pears Judischer Campus

Photo credit: Klemens Renner | © Tchoban Voss Architekten

Ania Kociucka

[based on the author's description of the studio].

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