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Nicholas Ruinart Pavilion—an architectural sip of champagne story by Sou Fujimoto

25 of November '24
Technical data
name:

LE PAVILLON NICOLAS RUINART

function: PAWILON
location:

REIMS, France

project: Sou Fujimoto Architects
chief architect: SOU FUJIMOTO
persons responsible: MARIE DE FRANCE
project team: PRZEMEK WITKOWSKI, ADRIEN DE LASSENCE
competition and research team: FLORA MARCHAND, PIOTR MIESZKOWSKI, JAIME PEIRO SUSA, NICOLAS LUCA DE TENA DELIBES, ALESSANDRA BRUE, PRZEMEK WITKOWSKI
investors: MHCS & MAISON RUINART
construction coordination and consultation, structural engineers, mechanical engineers: KUBE INGÉNIERIE
interior designers: CURIOSITY INC
landscape architects: AGENCE CHRISTOPHE GAUTRAND & ASSOCIÉS
lighting designer: CHRISTIAN MIOLA LIGHTING
sustainability specialist: FRANCK BOUTTÉ CONSULTANTS
acoustics: META ATELIER
construction contractor: DEMATHIEU BARD
wood construction: MATHIS
stone construction: LEON NOEL
facade: EIFFAGE METAL
construction system: MASSIVE STONE WALLS AND WOODEN ROOF TRUSSES

calendar:

  • project
  • construction

area:

  • usable

  • 1400

Nicolas Ruinart Pavilion,
designed by Sou Fujimoto Architects

[Material prepared from the studio's author's description]

In the heart of the historic capital of Champagne, a modern pavilion has been built for visitors to the oldest champagne factory in France - Maison Ruinart in Reims. Designed by the studio Sou Fujimoto Architects,the building combines culture, history, art and innovation into one cohesive whole.

history of Maison Ruinart

Founded in 1729 by Nicolas Ruinart, Maison Ruinart is the world's first champagne production house. However, the history of the brand goes back much earlier, to Benedictine monk Thierry Ruinart (1657-1709), whose intuition contributed to the development of champagne production. After encountering "wine with bubbles" in Paris, his nephew, Nicolas, introduced the idea of establishing the first champagne house in Reims. In the mid-1800s, Ruinart acquired the chalk basement beneath the city, which became a symbol of the brand.

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - widok z lotu ptaka na pawilon i Maison Ruinart

Nicolas Ruinart's pavilion in Reims, Champagne - a bird's eye view of the pavilion and Maison Ruinart

photo by Ivan Baan © Sou Fujimoto Architects

a dialogue between tradition and modernity
in form and material

The pavilion is distinguished by subtle curves that contrast with the straight lines of nearby historic buildings. The building, on the plan of an isosceles trapezoid, with concave sides (except for the longest one), was built from local Soissons sandstone, which pays respect to regional building traditions. Wood and glass were also used in the construction.

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - rzut

Nicolas Ruinart Pavilion in Reims, Champagne - projection

© Sou Fujimoto Architects

A characteristic element of the pavilion is the asymmetrical, curved roof, as well as the glazed facade, decorated with gradient glass, which is characterized by a smooth transition from transparency in the lower part to white in the upper part of the building. In designing the exterior of the building, the architects were inspired by the appearance of champagne foam floating in a glass.

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - widok na przeszkloną elewację z gradientem tonalnym

Nicolas Ruinart Pavilion in Reims, Champagne - a view of the glazed facade with a tonal gradient

Photo by Iwan Baan © Sou Fujimoto Architects

This translucent, light-emitting building is designed to welcome visitors to feel like they are in a jewelry box. It epitomizes the Ruinart House as a descendant of history with snow-white limestone walls, yet a representative of modernity with a graceful open roof

- says Sou Fujimoto

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - rysunek elewacji

Nicolas Ruinart pavilion in Reims, Champagne - elevation drawing

© Sou Fujimoto Architects

Large-format glazing allows views of avenues of manicured trees and historic buildings from the 19th century. Local artisans played a key role in the project, including stonemason Léon Noël, whose craftsmanship brought authenticity and durability to the pavilion's construction.

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - widok wnętrza

Nicolas Ruinart's pavilion in Reims, Champagne - interior view

photo by Ivan Baan © Sou Fujimoto Architects

harmonious contrasts
inside the pavilion

The center of the pavilion houses Maison Ruinart's reception area, as well as office, dining and retail spaces. There is also a lot of free space in the premises, allowing free movement between different zones. The spatial layout has been designed in a way that leads visitors from the twilight, reminiscent of the atmosphere of traditional chalk cellars, toward spacious and light-filled rooms.

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - widok z lotu ptaka na pawilon i Maison Ruinart

Nicolas Ruinart Pavilion in Reims, Champagne - a bird's eye view of the pavilion and Maison Ruinart

Photo by Iwan Baan © Sou Fujimoto Architects

sustainable design:
materials and energy efficiency

The pavilion was designed with sustainability in mind. Natural materials - stone and wood - were used, and advanced green systems such as rainwater harvesting, geothermal heating, reinforced insulation and a UV-blocking façade were incorporated to minimize energy consumption. The building meets French HQE (Haute Qualité Environnementale - high environmental quality) standards, and 80% of the energy sourced for the building comes from renewable sources.

Pawilon Nicolasa Ruinarta w Reims, w Szampanii - widok na elewację

Nicolas Ruinart Pavilion in Reims, Champagne - view of the facade

Photo by Ivan Baan © Sou Fujimoto Architects

The Nicolas Ruinart Pavilion is a modern interpretation of Maison Ruinart's heritage. The integration of modern ecological solutions and the use of local artisans for construction details emphasize the environmental care and sustainability of the project.

Elaborated: Anastazja Dżupina

Illustrations provided courtesy of Sou Fujimoto Architects.

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