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A tower of houses: a Kengo Kuma & Associates project in the heart of Asakusa

30 of December '24
Technical data
name:

浅草文化観光センター
(ASAKUSA CULTURE AND TOURISM CENTER)

function: CULTURE AND TOURISM CENTER
location:

ASAKUSA DISTRICT, TOKIO, Japan

project:

Kengo Kuma & Associates

client:

TAITO CITY

project team: KENGO KUMA, TEPPEI FUJIWARA, MASAFUMI HARIGAI, NAOKI OKAYAMA, KIYOAKI TAKEDA,
MASARU SHUKU, ERINA KURYU, HIROAKI SAITO
structural engineering: MAKINO STRUCTURAL DESIGN
electrical and mechanical engineering: KANKYO ENGINEERING INC.
construction supervision:

KENGO KUMA, TEPPEI FUJIWARA, MASAFUMI HARIGAI, MASARU SHUKU, ERINA KURYU

lighting design: IZUMI OKAYASU LIGHTING DESIGN
curtain design: ANDO YOKO DESIGN
signage design: TOKYO PISTOL

calendar:

  • design phase
  • construction phase

  • january 2009 - january 2010
  • August 2010 - February 2012

area:

  • plots
  • buildings
  • total usable

  • 326,23
  • 234,13
  • 2159,52 m²

budget:

  • 1,187,392,500 ¥ (including tax)

Cultural and tourism center,
design:
Kengo Kuma & Associates (KKAA)

[Material prepared from the studio's author's description]

Opposite the Kaminarimon Gate, leading to the historic Sensō-ji Buddhist temple in Tokyo's bustling Asakusa district, is a cultural and tourism center designed by the Kengo Kuma & Associates studio. The tower consists of eight stacked blocks, resembling small, separate houses.

Centrum kulturalno-turystyczne w dzielnicy Asakusa w Tokio - budynek składa się z ośmiu ułożonych na sobie brył, przypominających kształtem odrębne, jednokondygnacyjne domy

A cultural and tourist center in the Asakusa district of Tokyo - the building consists of eight stacked blocks, resembling the shape of separate, single-story houses

photo by Takeshi Yamagishi © Kengo Kuma & Associates (KKAA)

Eight solids, different roofs:
the varied form of a corner building

The building was designed on a 326-square-meter corner lot. The building consists of eight stacked volumes, resembling the shape of separate single-story houses topped with a sloping roof. The height and form of each house is different. What's more, the roofs used in the project take different forms - some are gabled, others mono-pitched. As a result, each part of the building is functionally and visually different, which gives the whole a complex character.

Centrum kulturalno-turystyczne w dzielnicy Asakusa w Tokio - rysunek elewacji

Cultural and tourism center in the Asakusa district of Tokyo - elevation drawing

© Kengo Kuma & Associates (KKAA)

technical efficiency
and visual coherence

Spaces between the stacked volumes were used for technical installations and climate control systems, which allowed the interiors to maintain a clean form.All of the building's facades are glazed .To give the tower a consistent form, the exterior walls are finished with cedar slat cladding, spaced at different intervals depending on the interior needs for lighting and privacy.

Centrum kulturalno-turystyczne w dzielnicy Asakusa w Tokio - wszystkie elewacje budynku są przeszklone i dodatkowo wykończone okładziną z listew cedrowych

A cultural and tourism center in the Asakusa district of Tokyo - all facades of the building are glazed and additionally finished with cedar strip cladding

Photo by Takeshi Yamagishi © Kengo Kuma & Associates (KKAA)

Diverse functions in one building

The building houses a tourist information center, conference room, multi-purpose hall and exhibition space. Between the first and second floors is the lobby, from where the building's diagonal circulation routes are visible. On the sixth floor, a sloping roof creates a terraced space that can serve as a theater or conference room. The interior surfaces have been lined with wood, as have the two terraces above.

Centrum kulturalno-turystyczne w dzielnicy Asakusa w Tokio - widok wnętrza

Cultural and tourism center in Tokyo's Asakusa district - interior view

photo by Takeshi Yamagishi © Kengo Kuma & Associates (KKAA)

The project draws on traditional construction techniques used in Japan, harmoniously combining modernity with local heritage.

Elaborated: Anastazja Dżupina

Illustrations provided courtesy of Kengo Kuma & Associates (KKAA).

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